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Timitrius' Ani Defranco Page

Ok so you might not expect me for a Ani fan at first glance.
Yes some of her lyrics are crude, but they come from where she is at.
She has become an icon in many ways to a young generation of woman artists.
 Her music is outstanding, her lyrics profound as well as sometimes perverse.
I really think she deserves credit as a musician as a song writer and for being a real person.

Ani Defranco Links

Quotes:

   "Honestly, what is said about me in the media is not my greatest concern. That's part of the job; people
you don't even know, never ever will know, stating definitively who and what you are, what you are
doing and what it means." From: Chart,1996 

   "I was in New York at a traumatic photo shoot. They kind of go from mildly traumatic to absolutely
devstating. It always starts with a dress." From: Spin, August, 1997 

    "My idea of feminism is self-determination, and it's very open-ended: every woman has the right to
become herself, and do whatever she needs to do." From: Ms., November, 1996 

   "I guess I was never really the intellectual type--that's why I play music and don't stand in front of a blackboard with a cue-stick--it's a form I can relate to." From: Off Our Backs, November, 1994 

  "I get up there and I'm making jokes and I'm playing my songs. Oftentimes when things are going really
bad technically, I'll just be in a rage. But I turn that into music and I try not to break anything." From: Ms.
                                        November, 1996 

   "There's a certain window of time in the middle of the night out in Middle America where there's no bar
open and nothing on TV. If you don't want to do too many drugs, you have to start bodily mutilation."
                                   From: People, August 1997 

   "I find it hard to accept rebel music in a corporate setting. Because you know all those people have to
play that game. They all have to show up to the photo shoot with the stylist and make-up artist and pose
like good little rock stars. Fuck that. Fuck all of that." From: Diva, Feb/March 1998 

   "I think politics is a way of looking at the world and processing your experience. As a woman, I don't
have to go very far to politicize my personal experience, because it's made very obvious what the
problems are." From: Off Our Backs, November, 1994 

  "Folk is music rooted into a community of people. Of course, I am different from the old folk singers. I
don't talk about unions or wars, I talk about my personal experiences, but the mentality is the same."
From: Addicted To Noise, February, 19, 1998 

    "It's really great to provide encouragement and inspiration. But it can't end there. I can't let people
passively consume me." From: NOW, March, 1995 

   "I always was an activist, and whenever I get bogged down, I look at all those progressive lawyers I know who work in death-penalty resource centers, or my friends who work at rape crisis centers or hospitals
 and AIDS wards. There are so many people doing work like that who don't get applause at the end of the
day. Those are the people I draw my inspiration from." From: Ms. November, 1996 

   "There's so much more you can do with an acoustic than stand there and strum it, and since I started
playing in bars, I had to figure out some way to make people shut up and listen, so half the fun was taking
an acoustic guitar and making a band out of it." From: Pulse, September, 1996

  "I think women are taught to be nurturing and understanding. But within every sweet, smiling woman,
there's someone who's pissed off on a certain level. I think we're all complex creatures." From:
               Entertainment Weekly, April, 1997 

   "I don't fall in love that often, and when I do, I don't have an agenda. I understand the need for gays,
 lesbians and other marginalized people to want to identify with performers, so I understand the desire to
claim me or shame me, but that's embracing the characteristics of the oppressor. All I can say is, I'm not a straight girl, and I'm not a dyke." From: Pulse, September, 1996 
 

Pictures:
 
 
   "I don't think that the music business is some kind of evil empire or anything, I just have an overarching
  disrespect for business in general, for the forces of capitalism and how they contradict the needs of the
                         people and the interests of art." From: Chart, 1996 

   "You stand up there and you don't have a persona. You just are a person." From: Spin, August 1997 

   "This is just my work right now, and I see humor in it. It's funny to me, who has never really had an
     attention span for my own emotions - I would sort of use them for various purposes. Now I am
                completely consumed by them." From: Ms. Magazine November, 1996

  "I don’t feel like the superhero that sometimes I’m made out to be, but I guess I do feel responsible to
                     other young women." From: Rolling Stone, November 1997 

 "It's important for all of us to be able to poke fun at ourselves. People have always tried to rob me of my
   sense of humor. There's a perception for some that I'm kind of a dire, dogmatic person." From: New
                                    York Times, June 8, 1997

"If you're female, with long hair and fairly cute, you get plenty of the wrong kind of attention. If a woman
  is independent, it's not seen as sexy. At one time I remember thinking, 'If this is my only option, I'll be
                               ugly.'" From: Pulse, September, 1996

 "Oftentimes people who have the power can overlook that fact, and ignore problems that they think don't
 affect them directly...hey! I'd be able to frolic and play with no pain to the mammaries! And I've always
  wanted a handlebar mustache...that's what I'd do if I were a guy, sing songs about my beard and how
                       much fun it is." From: Off Our Backs, November, 1994

     "I don't know who could possibly claim me. I'm not here to be a poster child. There are so many
 perceptions and pressures, people want me to be completely opposite things at any given time. It's pretty
    important to me to stay true to what I'm doing and not worry too much about that." From: Rocket,
                                        October 23, 1996

  "If you really are interested in challenging the system, I don't think you can just become a part of it and
 expect that your music can still present that challenge. The more voices outside the sacred circle we have
                making noise, the more useful it is." From: Dirty Linen, Oct/Nov, 1994 

 "People assume that there's a certain amount of calculation attributed to everything I do now, because I'm
                           a public person." From: Diva, Feb/March 1998 

     "My life doesn't have the typical industry rhythms of put out the album, release the single, do the
 publicity, hit the road for four months and then go back home again. I'm more in the vein of the working
  musician -- the fucking traveling wayfaring troubadour. I'm always out there working." From: Pollstar,
                                       December 4, 1995 

  "It seems a very one-dimensional, almost infantile approach to life, where you're either an angry young
  woman or a sweet, kind young woman. What if I'm three-dimensional and I have all these experiences,
 and I want to include my anger in my vocabulary of emotions? I don't want to leave that out of my work,
                     yet I insist on not being reduced to it." From: Punkette Poet

 "I guess I never thought of it as a way to build a career even. You know, I just thought of it as what I do,
   because I'm interested in politics and I'm really interested in music. And so, I never envisioned that I
                would be here." From: Sessions at West 54th Street, September, 1997 

   "I've realized there is more a sense of security if you jump in one camp or the other. The amount of
speculation that bubbles fervently around me, it's a nightmare: 'Well, she says she's seeing him, but I think
it's really a cover- up for seeing her.' Or, 'she's really straight, she's just playing.' For me, everybody - just
 chill out, relax! I've just been honest up till now, and I'll continue to be honest. There's no big betrayal."
                                   From: Diva, February, 1998

 "Often the women are much more bold than the men at my shows - which is an interested reversal of the
                  whole rock & roll dynamic." From: Rolling Stone, November 1997 

 "I think it is very useful to know ourselves, but when we start naming and labeling, that is dangerous, that
     gets problematic. It negates that things are always changing. Besides, it's hard to pin a label onto
             something that's always moving." From: Rocket Magazine, October 23, 1996 

     "Early on I absorbed the idea that you could make songs for a living. I came out of the folksinger
  tradition, and then I just went off in my own direction." From: Guitar World Acoustic Magazine - #19 

    "It’s a political act to tell your story. Lotta nights I don’t feel like telling it, but it’s one of my little
      sacrifices. You have to be upfront about your experiences because watering it down to make it
  appropriate is counterproductive. I’m forfeiting my privacy and insisting vicariously that others do too."
                               From: CMJ Music News, March 1997 

   "My hair is a personal neurosis. Whenever something goes wrong for me, I become somebody else."
                                  From: Details, September 1996 

   "As my dyke friends say, relationships between women never end. When you go out with someone,
                       you're friends forever." From: Diva, Feb/March, 1998 

 "I'm sure I'm supposed to be some kind of angst-ridden pop culture babe, but it's just not what I'm about.
And I really do like to perform! I mean, touring sucks a lot of the time, but so does anything worthwhile, I
  suppose. And to me it's very worthwhile." From: In-House Interview For Press People, January, 1997 

  "It's important for all of us to be able to poke fun at ourselves." From: New York Times, June 8, 1997

           "I have a gene missing: the do-what-you're-told gene." From: React, May 26, 1997 

  "Inevitably I lost some control trying to bring my music outside of America. But, anyway, capitalism is
   the environment in which we live. It's useless to fight against windmills." From: Addicted To Noise,
                                       February, 19, 1998 

  "I feel as if the past couple of years I’ve been a little bit astounded by the criminal justice system in this
  country. And I think that things like minimum sentencing laws, and zero tolerance, and you know this
 whole ‘war on drugs’ thing is really just a war on poor people." From: " The Peir" Seattle WA, August 10
                                              1998 

             "If I get a little too perky, just slap me." From: US Magazine, December 1996 

 "The perfect thing is that that little tune which I sort of wrote except that then she changed it, it's getting
all this air play. It's like it's classic moment of life." ~Talking about Alana Davis' Rendition of "32 Flavors"
                     From: Spreckles Theatre, San Diego CA, November 7, 1997 

 "I remember telling my parents I wanted to play guitar. I don't know where I got that idea from because it
    wasn't like the old musical family situation. And I didn't really have that rock 'n' roll dream either. I
     certainly didn't have that. It wasn't like I wanted to be a rock star, I just wanted a guitar." From:
                                   Westchester County Weekly

 "I try to question everything I do. Not to play martyr, but I have just tried so hard to do anything but sell
                                 out." From: Ms. November, 1996 

Thanks to http://ttinkerbelle.tripod.com/aniquotes.html for the organized quotes.

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